Country Barn Watercolor Painting by Bette-Ann LaBerge

GUEST ARTIST: “You’re Never Too Old… It’s Never Too Late…” by Bette-Ann LaBerge

There’s never been a better time… What am I talking about? Watercolor painting of course! How do I know what I’m talking about? Because I’ve done it. My name is Bette-Ann LaBerge and I’ve been asked to tell you a little bit about myself and my pursuit of becoming a watercolor artist. First the age thing. A lady never divulges her age, so let’s just say I took up watercolor painting later in life. If you have the desire and can hold a paint brush it’s never too late to get started.

I mention the “never better time…” idea only because I think it’s wonderful to take up watercolor painting in this day and age. The Internet allows us to research, review and shop among every art product available in the universe from the comfort of our living room. Vitally important is the role the Internet plays in helping us learn about anything, watercolor painting included.

With the vast array of You Tube tutorials, artist blogs, online courses, sites like Doodlewash, etc., there is more information and tutoring available than you will ever have time for. Later, I’ll suggest how to parse it all down into something that will work for you.

My Favorite Place Watercolor Painting by Bette-Ann LaBerge
My Favorite Place

I was born in Manhattan, New York and lived there until my family moved to Long Island. By age 5, I already loved to draw and sketch – surprising and delighting my parents. By age 8, I was enjoying rearranging the furniture in my room; possibly a glimpse of things to come.

One of my favorite places growing up on Long Island was a huge wooded area with streams and Indian trails. I adored being in the “woods” and recently posted a painting on Instagram that I titled “My Favorite Place” done from my memories of that beautiful time and place.

Tucson, Arizona has been home for the past 19 years in a lovely community called Civano. I walk every day and get inspired by the beautiful landscaping. We are located 10 minutes away from Saguaro National Park.

Although I don’t paint a lot of cacti, just visiting the park and gazing at the magnificent Saguaros and other beautiful desert flora serves as being in the “woods” for me. I’m also fortunate to live adjacent to a large plant nursery providing a never ending panorama of beautiful flora to inspire my painting.

In high school, I was a Fine Arts Major and focused on taking every art course offered beginning with oils. I also worked in other mediums including sculpting and acrylics, but no watercolor work yet. I gravitated to Interior Design as a career with a passionate focus on textiles, color and pattern mixing. After retiring, I created custom pillows for a while, but eventually drifted away from the idea of being constantly creative. For several years I didn’t paint at all.

About two years ago, my hubby suggested that I needed to get back into some form of creative endeavor and that water color painting looked interesting. He thought it was something we could both share an interest in stating “You know all about painting – how hard can it be?” Famous last words! After thinking it would be simple to master I quickly learned that it would be a huge challenge. He quickly decided that being a watercolor artist wasn’t his cup of tea.

View Across The Lake Watercolor Painting by Bette-Ann LaBerge
View Across The Lake

I struggled on and watched YouTube videos by the dozen. I read books. I painted and painted and painted. Early on my watercolor journey I viewed a video by Nitin Singh where he stressed doing something relating to art every day, i.e., paint, read books, watch videos, and if you do you will get better. I wasn’t following his advice at that time.

Then, in 2018, I was encouraged to participate in the #30x30DirectWatercolor2018 Challenge and continued to paint during the annual World Watercolor Month challenge in July and tried to paint every day for 31 days. It wasn’t easy, but I did it. I completed a picture every day for 31 days and ended up loving the experience.

Winter Coming Watercolor Painting by Bette-Ann LaBerge
Winter Coming

Through these monthly challenges, I developed the habit of painting every day and enjoying it. Further, with the #30x30DirectWatercolor2018 challenge I learned I personally enjoy a direct style of painting without sketching or drawing, but just painting where I can focus on water, pigment and paper. It was a real turning point because painting every day raised my skills dramatically.

My Painting Tools

I started out using Sennelier paints, Princeton Neptune brushes, and some low end papers. Luckily, the gurus on YouTube and elsewhere stressed the critical importance of using good paper. After sampling Arches 140 lb. cold press paper I became a believer and currently use it for my work. There are many other high quality paper brands available though, and I’m now experimenting with Fabriano and others. Although I favor 140 lb. cold press, I am moving into working with hot press paper, heavier weights and different surfaces.

Golden Hills Watercolor Painting by Bette-Ann LaBerge
Golden Hills

During monthly challenges, I found painting on a 5”x 7” size sheet very convenient since it was easy to cut a 10” x 14” tablet into quarters and the smaller surface was easy to complete when painting daily. I liked the size and adopted it as my standard, both in portrait and landscape formats. I have used sheets and blocks, but prefer the ease of tablets.

Recently I have increased the size of some of my paintings to 7”x 10” and intend to continue working in larger sizes. Whatever brand you settle on, I strongly believe that paper choice is one of the most important aspects of painting with watercolors.

Maison De Bretagne Watercolor Painting by Bette-Ann LaBerge
Maison De Bretagne

I soon invested in better brushes from Escoda and Silver; using both sable and synthetics, however, I don’t use a large assortment of styles or sizes. Currently my “go to” brush is an Escoda Optimo Kolinsky #10 round. I also use a Silver Black Velvet Script #8, a Black Gold 000 and Raphael Martre Kolinsky #4 rigger.

Watching Alvaro Castagnet opened my eyes to Daniel Smith paints and after trying them I never looked back. I absolutely love the huge variety of colors, especially the granulating ones. Some artists like to use a limited classic color palette and blend colors. My approach is to use a wider palette; but I still employ a lot of color mixing, both on my palette and directly on the paper.

Watercolor Painting Studio - Bette-Ann LaBerge

I paint in my small home studio; typically standing at my flat desk. My studio only has one window, facing south. Here in Arizona the brightness level and color balance changes significantly over the course of the day. I invested in a pair of daylight balanced, LED lights on stands that illuminate my work area beautifully. Now I enjoy consistent light any time of day. I use a porcelain palette for holding my paints and for testing and mixing colors.

People Who Inspired And Taught Me

I have learned so much from so many fellow artists that it would be impossible to name them all here. My list is provided to help those reading this who are just starting out, wanting to find good sources of information and inspiration. There is no significance to the order of my list, nor am I indicating my opinion of their art, I’m only suggesting they are excellent sources to learn from. I leave it to the reader to search for their YouTube videos, books, websites, etc. Here goes: Nitin Singh, Anne-Laure, Alvaro Castagnet, Jean Haines, Hazel Soan, Rick Surowitz, Alan Owen, Tim Wilmot, Steven Cronin, Jean Lurssen, and Liron Yanconsky.

What do I feel are the most important things to know as a beginner?

Learning to paint in watercolors requires practice, practice and more practice. It’s just like learning to play a musical instrument. There is a place for good tutoring, learning basic techniques, etc., but only actually doing it will achieve skill.

Seaside Watercolor Painting by Bette-Ann LaBerge
Seaside

Use the best materials you can afford, especially paper. Spend your money first on good paper and a decent brush or two. You don’t need a handful of brushes to create good art. Start with a limited color palette. Focus on the fundamental techniques of watercolor and tonal values. Many excellent paintings are produced with just a few colors.

Don’t be afraid to experiment. Don’t be afraid to fail. Save all your work! Even the ones you feel are only worthy of the bin. You can learn from your early works, even the failures. Sometimes you can rework what was a “failure” and make it into a success.

What Inspires Me?

I’m very inspired by Mother Nature, landscapes, flowers, color, texture and what can happen when I play with my paints and brushes. What truly inspires me the most at this point is the sheer joy I derive from painting and peoples’ positive reaction to my efforts.

French Lavender Watercolor Painting by Bette-Ann LaBerge
French Lavender

Style versus technique, and finding your own style

To discover your own style I believe a goal should be to think about the type of art that you are drawn to, then learn the techniques to accomplish your goal, and then make it your own.

Bette-Ann LaBerge
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38 thoughts on “GUEST ARTIST: “You’re Never Too Old… It’s Never Too Late…” by Bette-Ann LaBerge

      1. Hello,
        I was anxious to try your brushes and put the names you gave into search at Cheap Joe’s, Jerrysartarama and dick blick’s. None of them came up. The Silver Black Velvet Script # 8 only came in a set. The words Martre and Optimo never appeared and any of the Raphael or Escoda brushes. Could you help me with where I might find these brushes?
        I love your work. The loose style is really beautiful.

        Jac

  1. Thanks for sharing your story. I am inspired to paint every day by your post. I’ve heard that before, but your post somehow resonated with me, also a lady of a certain age. Thanks for the push! 😘

    1. It makes me so happy to have inspired you to paint every day! You will be delighted to see how your art improves over time.. and remember to save everything! When you go back and compare your current work with earlier work and you can see improvement it’s so encouraging! Have fun with it! Please feel free to contact me… I would love to hear how you’re progressing!

  2. I do try to master watercolour at the moment, so this was a fun and interesting read. It is such a fun medium, even though it often end up surprising me in not so fun ways.. ☺ Love «View across the lake», by the way☺

  3. Bette-Ann, I thoroughly enjoyed reading your story, and viewing your beautiful works. Especially the wet on wet paintings. I, too, have “chosen” to begin painting at age 60 (in 2 weeks), and agree that there is no age limit on picking up a brush and playing–in earnest. Viewing my recent failures and frustrating attempts at a “Van Gogh” in my personal pieces was abysmal yesterday. Then today, looking for something I couldn’t locate in my online painting folder, I ran across the pieces I painted 2 years ago. Oh my! I could feel the difference as well as see it! Which is where your story comes in: the 3 “P’s” of watercolor work: PRACTICE PRACTICE PRACTICE. And I have gotten better. Viewing your work was a real shot in the arm for me, not because of your age, but in spite of it. AZ has GORGEOUS brilliance in color! Waiting until this time to try watercolor (your husband is a keeper!), gives it even more beauty.

    Sitting and watching crime shows, nursing a decades old back injury, was yielding zero results for me. There was a thrill in my soul when my sister encouraged me to try wc painting. (not unlike your hubby–again). And like you too, I thought my early works were great because I LOVED this medium! No, it isn’t easy, but everything I’ve succeeded at in my life has always been by the hard, long road. And now I see it. And I absolutely relished viewing your pieces here on DW THREE times. Yes, three. Because they are that lovely. We have the same area and limited space to paint, which makes it even more incredible. I produce large works, half sheets, full sheets, and the one thing you said that lends the best advice to anyone who paints is GOOD PAPER. It all changed when Arches came onto the scene. Brushes are brushes, good paints essential, paper–critical. I so enjoyed your light washes, soft, bright colors, and your compositions which are inspired! You’ve worked hard, and I bet have loved every second of it. Your paintings indicate that. (and that hubby is encouraging!).

    It was delightful to view your journey, read your story, and give you a hearty round of applause! (your hubby too!). Thank you for sharing such a remarkable glimpse into the colors of your soul. It was a lovely ride.

    Keep on painting, Bette-Ann! You’re marvelous!

    Fanna Turano
    Denver, CO

    1. I loved reading your comments here on dw about my feature! I’m so loving watercolor…..it gives me joy every time I paint! I totally agree with you that the paper is incredibly important to having successful outcomes. Happy painting to you and have a wonderful day! 💫

  4. I haven’t visited this website in ages, but wanted to stop by to add my accolades since I am continually bowled over by the work you share on Instagram. As I’ve said before, your art is truly a breath of fresh air. I enjoyed reading about your watercolor journey. 🙂

  5. Thank you for the wonderful inspiration! Your work is beautiful. I have been wanting to take a watercolor class locally, but it never works with my schedule. You have shown me that online classes are the answer. Thank you for sharing your story.

      1. Your story (and work!) encourages me. I am 88, a former acrylic painter in the distant past but now I want to do small watercolours and it is much harder than I thought!!
        But as you say, it is never too late and I am setting a goal to do a painting a day for the next month. Thank you :))

  6. Dear Betti,
    I, too, am older, and have always wanted to paint with watercolor. At the moment, I am doing a daily project using fiber arts techniques. Perhaps I will choose watercolor next year.
    I have a question about the monochromatic painting, Evening Snowfall. How did you keep the white areas of the image clean? Thanks again for sharing your work.

  7. Hi Bette – I meant to comment earlier, but time slipped away from me. Your paintings are beautiful, so soft and peaceful to look at. Your story was great to read and you gave some wonderful advice! Thank you so much for sharing your art, loved it!

  8. I love your story thank you!!!! Thanks for all the inspiration and tips. Being new to watercolors I am playing around with different tools in particular trying different paper. I do love wet on wet so I need to find my forever paper friend for that lol. 🙂

  9. Love your artwork! I too am an older 60ish painting in watercolor. I have always loved water color paintings. I have no prior experience or classes. Am having a lot of fun. I have been trying to go to the website listed but it looks like it is closed? Thank you,

  10. Loved your story and lovely paintings, Betty Ann. I, too, began painting late in life, and your story mirrors why I am crazy about this medium too. Thank you for sharing such an inspirational journey with me. Beautiful.

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