Blue Bird Bistro

Blue Bird Bistro

Added some color to my bistro sketch and tried to capture some of the interesting textures. Getting a little more successful with my skies and clouds so that’s good! Still terrified of bricks so tried something with the smaller building while completely avoiding the bricks in the main structure.

Blue Bird Bistro is a wonderful little restaurant in The West Side neighborhood near downtown Kansas City. Fresh food from local family farms and also several vegetarian and vegan options. If you’re ever in Kansas City, you should definitely add it to your list.

Creator of Doodlewash® and founder of World Watercolor Month™ (July) and World Watercolor Group™. Sharing daily watercolor illustrations and stories while proudly featuring talented artists from all over the world! If you'd like to be a guest artist on Doodlewash.com, contact me!
Recommend0 recommendationsPublished in By Charlie
7 Comments
  1. Kit Schuetze 2 years ago

    The sky looks great, but you know you’ve really got that perspective down. and who cares about painting individual bricks anyway

  2. kirkistan 2 years ago

    Wow I like that. I love the perspective and especially the shadow. That electrical pole is really cool. Great job!

  3. Author

    Thanks Kit! I was so worried in my first building sketch about perspective that I used a ruler and it didn’t work out well at all. In this one I just drew it freehand and it came out much better. Yay! One less tool to worry about. And agreed… who cares about those darn bricks anyway! 😉

  4. Author

    Appreciate it Kirk! That electrical pole sort of had me scared at first and I wasn’t sure how I was going to deal with it. Glad you think it turned out okay! 🙂

  5. weisserwatercolours 2 years ago

    I agree with Kit and Kirk that your perspective when doing buildings is solid and true, and I agree with you also, that this sky is lovely. Some painters approach bricks by doing a diluted wash with two or three separate hues to fight the look of uniformity–so parts are burnt sienna, and that changes to burnt sienna with a touch of ultramarine blue to darken it, and then perhaps some touches of Indian Red. Once it dries, some faintly paint in a grouping of actual bricks over the wash, in certain areas, particularly in areas of shadow, and then the odd brick or series of bricks in different areas, allowing the viewer’s eye to fill in the rest. For we don’t ourselves look at every brick when looking at a building–our eyes blur them, or pass over them, not wishing to be made so aware of each one. Because you are sitting down to paint a brick building, you are as a painter inclined to pay attention to each one, when in life we seriously don’t. However, if the actual focus of the painting IS the brick (such as a very old brick wall which is falling down) then more detail is perhaps necessary, with other elements of the painting receiving less attention so the eye is drawn to the wall.

  6. weisserwatercolours 2 years ago

    sorry….I forgot to direct you to this particularly helpful site, where Jane devotes much time to helping painters know the many different hues which can be achieved by simply combining two different colours, with hers being burnt sienna and ultramarine….http://janeblundellart.blogspot.com.au/2013/06/watercolour-comparisons-1-ultramarine.html

  7. Author

    Wow! Thanks Lance for all the tips and the thoughtful response. That’s really helpful information and I really appreciate it! And the link is super helpful. I’m definitely going to try what you describe the next time I tackle bricks. Thanks again! 🙂

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