REVIEW: Bockingford Watercolor Paper Spiral Pads

Bockingford Watercolor Paper Spiral Pads Hot Press and Cold Press

Bockingford watercolor paper is mould made paper from St. Cuthberts Mill. It’s a high-quality paper, available in cold press, hot press, and rough, in a wide range of sizes and formats. It’s also available in five different tints.

Today, I’m reviewing the cold press and hot press surfaces in a 7 x 5 inch spiral pad format.

Bockingford Watercolor Paper Pad Cold Press Front and Interior

Bockingford Watercolor Paper – Specs

  • Color: White
  • Paper Weight: 300 gsm/ 140 lb
  • Format: Spiral Pad (also comes in other formats)
  • Size: 180 s 130 mm/7 x 5 in (available in many sizes)
  • Surface: Cold Press & Hot Press
  • No. Of Sheets: 12
  • Content: 100% wood-free bleached chemical pulp
  • Characteristics: Mould made, acid free, archival, highly lightfast, internally sized, buffered with calcium carbonate for added protection, pH 7-9, short grain
  • Good for: watercolor, pastel, gouache, acrylic, pencil, charcoal, pen and ink

The Paper

Bockingford Watercolor Not or Cold Press and Satin Hot Press examples

These spiral pads come in three surfaces – Not (aka cold press), hot press and rough. I’m reviewing the Not and Hot Press today.

The paper is 100% wood-free bleached chemical pulp, calcium carbonate buffered, pH 7-9, and internally sized. It does not have gelatin surface sizing, which is uncommon for this kind of paper. St Cuthbert’s Mill recommends stretching to avoid buckling, and being extra careful with masking fluid. That said – I had no problem removing either masking tape or masking fluid. I didn’t stretch or tape down and did have some curling, especially with the hot press.

The structure of the paper is stiff, more likely to bend than fold.

Although not cotton, Bockingford watercolor papers are mould made, which enhances the stability. They are acid free and archival. In fact St Cuthbert’s Mill claims the paper will last for 100s of years, without deterioration, in good storage condition.

It is very easy to lift color. Very easy, but remember I mentioned the stability above? This ease in color removal is both the biggest strength and greatest weakness of the paper.

Painting on this paper reminds me a bit of working on mineral paper. You can’t wash all the paint off like you can with mineral paper. You can work color to a light to medium tint, and continue to paint over the lifted areas with ease.

The surface texture on front and back are the same.

Bockingford Watercolor Paper Spiral Pad Example Hot Press

Bockingford Watercolor Paper – The Spiral Pad

The Bockingford spiral wire pad has a thick wire spiral that keeps the sheets secure. The holes are cut wide enough for easy flipping, without the wire wearing away the paper or allowing it to droop.

I wouldn’t recommend it for a chunky book, but there is enough room to allow ephemera glued to some pages.

Bockingford Watercolor Paper Spiral pad removing paper from pad

Pages aren’t likely to fall out by accident, but the spiral wire does have a gap that allows you to remove sheets from the back, and then put them back in. That’s handy for scanning or if you want to tape the paper down on another surface while working on the painting.

My hot press spiral pad had a curve in it. My suspicion is that at some point in shipping it was pressed between two objects. I removed the paper before painting.

For one painting I taped it down, and once the painting was done, I laid it under a heavy book and got most of the curve out.  For a second, I stretched it (wet it completely, clamped it down and let it dry).  This removed the curve before I painted.

Both methods worked. I prefer just taping, but many prefer stretching.

Examples

St Cuthberts Mill mentions the color lifting abilities of these papers, and well they should. Let me show you what I mean.

Cold Press

 

The texture of the cold press is very regular, of the kind that looks more like a weave than a pebbly surface. It adds some texture to the finished painting without dominating the color. The paint flows beautifully allowing beautiful washes.

Blossoms and streaks will occur if you add wet to damp paint, but they’re easy to avoid with even decent technique.

I did my usual testing, lifting and scrubbing and was impressed with how well the paper was holding up. I had no problem with either masking fluid or masking tape. I did remove both within a few hours since St Cuthberts Mill cautions not to leave it on for too long.

I was quite happy with my finished piece, but the paper held up so well. I was curious and decided to continue testing.

After the paint had dried overnight, I started lifting color again. I removed a lot, let it dry, and then repainted most of the background.

Even after all the lifting, I was able to get crisp edges. The secret is in lifting color, letting it dry completely and then repainting.

With many papers it becomes impossible to paint over many-lifted areas, or the color gets muddy.  With the Bockingford cold press the color was lighter, but could be built up.

I had no problem with buckling, dimpling or curling. St Cuthberts Mill does recommend stretching or taping the paper down, though.

This is the what makes this paper unique. It isn’t going to be for everyone, because some people won’t like having color lift so easily. But once you learn to control that, you can work on this paper over and over until you get what you want.

Just to show that you can do a painting with simple washes without lifting color, I did this desert scene.

Hot Press

The differences between the cold press and hot press were what I expected from the two surfaces.

 I was impressed with how well the hot press held up to overworking. I didn’t have any problem with masking fluid or masking tape, but again only left it on a couple of hours.

I let the paint dry over night.

I don’t usually show the in-between step, but wanted you to see the changes I made. I removed a lot of the paint on the back half of the frog, and lifted and repainted much of the background. And then I lifted it and repainted it again.

Much of the color I used was staining, so I really was impressed by the amount I could lift.

In the end, the difference between the cold press and hot press is that I wasn’t able to get edges that were quite as crisp. The paint still flowed well, and the color was as bright.

This painting was done with some glazing and no color lifting. I used masking fluid again for the fine hairs, and had no trouble removing it.

Because hot press is so smooth it is fantastic for line and wash, so I used a technical pen in this one.

Bockingford Watercolor Paper – Overall

St Cuthberts Mill Bockingford watercolor paper is an extremely sturdy paper with exceptional color-lifting properties. Colors flow beautifully and remain bright.

The differences between the hot press and cold press are what is expected from the nature of the surfaces.  Both papers are comparable in handling and sturdiness.

It requires adjustment in the paint to water ratio if you’re used to papers with less ability for color lifting. But …

… this is a paper you can mess with and still produce a beautiful painting.

Handling Paper

The St Cuthberts Mill website is set up beautifully with information on each paper, including how to store and get the most out of your paper. You can find the Bockingford information here. I recommend going out to read them. They’re good general instructions for the majority of watercolor papers, whatever the brand.

About St. Cuthberts Mill

St. Cuthberts Mill, based Wells England along the waters of the River Axe, has been producing artists papers since the 1700s. They use pure raw ingredients, specially sourced pulps and cotton linters, as well as woolen felts to produce their paper,

Links of Interest

Tools

Disclaimer


I received one spiral pad Cold-press 7” x 5,” and one spiral pad Hot-press 7” x 5” watercolor paper from the Dixon Ticonderoga Company, for the purposes of this review. I received no other considerations, though this post may contain affiliate links which help support Doodlewash. As always, all opinions expressed are my own.

Recommended3 recommendationsPublished in Art Supply Reviews
11 Comments
  1. Jean Marmo 2 weeks ago

    Thank you for the excellent information. I love seeing all the different ways you tests these papers.

  2. Karen Sliwinski 2 weeks ago

    Thanks for this great review. I’m in need of some better watercolor sketch pads and thought I would have to go expensive with 100% cotton but maybe this would work for me?

    • Author
      Sandra Strait 2 weeks ago

      Thank you, Karen! It’s a great bang for the buck. You do have to adjust to it, so if you decide to go with cotton later, you’ll have to adjust again.

  3. Mary Roff 2 weeks ago

    Thanks for the wonderful review, Sandra!!

  4. Laura Hale 2 weeks ago

    Thank you for the great review, Sandra! I bought a pad of cold press and full sheets from Cheap Joes a while back and really enjoyed working on this paper. I tore the full sheets into smaller sizes for watercolor students and it was excellent for beginners since we could easily “erase” if we wanted to.

    • Author
      Sandra Strait 2 weeks ago

      Thank you for the feedback, Laura! It’s wonderful to be able to ‘erase’!

  5. Mugdha 2 weeks ago

    Hello Ms. Sandra,

    Thank you for one more lovely review. The desert scene is beyond gorgeous… I can’t stop gazing at it. Thank you!

    Love,
    Mugdha

Leave Me A Comment!

©2015-2018 Doodlewash®  Privacy Policy | Terms Of Use | Disclosure  Powered By Wordpress.com

CONTACT US

Want to say hi and connect? Do you make lovely things with watercolor and want to be featured in the next Guest Artist post?! Great! Not sure, just feel the need to say something? Awesome! Just fill out the form below!

Sending
 
or

Log in with your credentials

or    

Forgot your details?

or

Create Account

%d bloggers like this: