Hello, this is Part II of Daniel Smith (DS) Watercolors, which reviews their PrimaTek and the Luminescent lines. See Part I on the Extra Fine line here– that post is where the bulk of the information on the DS lines, tube sizes and different options can be found. This post has a lot of full size photos of swatches and paint examples, first part is PrimaTek, and a short second part on the Luminescent line.
The Dot Card from my local art store that started it all. The Dot Cards provide info about lightfastness, transparency, granulation and staining qualities.
According to the DS website, the PrimaTek line of watercolors comes in 35 colors. This line of DS paints started in 1998. They are made from ground minerals, some are semi-precious minerals. Most of the PrimaTek line granulate. A few of them have a subtle sheen or sparkle. This line is great for landscapes. I like this PrimaTek brochure, which states that they offer 37 colors in the line. It also has information about the minerals and the different mines that they come from. Perhaps they stopped making two of the colors along the way. If you are any bit of a rock hound, or are interested in geology, this is an exciting line. I live in Tucson, Arizona- home of the worlds largest Gem and Mineral Show. I find this line to be very exciting. Here is a 4:26 minute video about the Tucson Gem and Mineral Show.
If these paints are dried in pans, they are more workable with a drop or two of water to moisten them prior to painting. The Mayan Blue really shriveled in the pan after it dried. There are a couple of colors in the palette below that are not PrimaTek and they were featured and swatched in the Part I post- Lunar Violet and Shadow Violet.
The PrimaTek line has the word Genuine after the mineral paint names, I’m going to leave that off when I refer to the paints. Spelling is not my strong point, so if any of the names written on the actual swatches are misspelled, my apologies. Spellcheck my friend, what would I do without you?! The swatches are on Strathmore 400 Series Watercolor paper.
Below there are closeups of some of the swatches to show shimmering, and then some larger swatches of a few of the colors. I love the shimmer, but if it is used on a painting that is behind glass on a wall, I’m not sure how noticeable it would be. I like the idea of small hand held paintings, so that people could enjoy the subtle shimmer and nuances of this line. I’ve painted a few, and also what I will classify as bookmarks. I love seeing and handling them. I found a larger one in a book the other night, rediscovering it made me smile.
Red Fuchsite has a slight shimmer. The Serpentine has a subtle reddish brown that granulates out, although it’s not quite visible here.
Amazonite, and Rhodonite (see pic above), are two in this line that do not granulate. Kyanite and Sugilite have shimmer. Sugilite has always seemed like an ethereal shimmering color to me. Kyanite would look great in a shimmering dark sky or a body of water.
Bronzite and Burnt Bronzite both have a shimmer. I love Bonzite. It brings to mind a shimmering sands beach.
The following larger swatches are done in a 4 x 6 Stillman and Birn Gamma Series journal. The paper is ivory. Look how beautiful these colors are!
If this photo is clicked to enlarge, you may be able to see a slight reddish brown that washes out in the Serpentine. Look along the edges. I have a better example of the granulation and separation towards end.
Someone requested a comparison of the NSB Turquoise with Cascade Green. Cascade Green is part of the regular line, not a PrimaTek paint.
The Luminescent Watercolor line comes in 48 colors and three different varieties- 19 in Duochrome, 7 in Interference, 20 in Iridescent, and 2 in Pearlescent. On the site under the individual colors, all of the descriptions say the following:
“Our Luminescent watercolors, unlike anything ever seen in watercolor, simulate the glitter of a watery surface or the luster of mother-of-pearl. They’re made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Iridescent colors reflect light and their semi-transparent quality adds a fascinating sense of depth to your work. Iridescent Gold is the quintessential gold shade – bright, reflective and regal.”
The bottom four are from this line. The first is an Iridescent and the other three are Duochrome. When used in a painting, the paper needs to be moved around a bit to see the properties.
This is not the only brand out there for sheening or luminescent watercolor. FineTec has a really nice luminosity, but a more limited palette. I will do a review on mica, shimmering, and gold tone watercolors and acrylic inks at some point.
Here is a 3:12 minute video of 12 swatches of the Luminescent line being painted.
Here is a 3:08 minute video of a hummingbird painting using the Luminescent line. There is also a dragonfly painting video to watch next.
“Iridescent colors reflect light directly, like a mirror reflection, resulting in intense color and sheen. Interference colors refract and scatter light; they take on different hues depending on where the light is striking and the viewer’s point of view. Duochromes bounce between two different colors depending on the reflective light. Pearlescent colors add an opalescent sheen.”
Guest Doodlewasher Natalie Rjedkin Lee painted the copper cup below using the Luminescent line. The materials she used were: Khadi 150 rough texture watercolor paper, Faber Castell Graphite Aquarelle pencil HB, DS watercolor in Van Dyck Brown, Iridescent Moonstone, Iridescent Gold, Iridescent Copper, Iridescent Russet. This is what she had to say about the process- “I’m pleased with the results, but those metallic paints are tricky on white paper. I feel the best result would achieved on color or black paper . You need to layer up color if just using metallics or underpainting with color and then highlight with metallics for best results. The watercolor is an interpretation of a photo detail. The original photo is credited to Julie Wolf.” Thanks so much Natalie for sharing this wonderful example!
I was messing around and managed to get the Serpentine to really granulate out into the reddish brown that I was talking about above. This was done very wet. Look how the bright green pooled at the bottom on the left.
I was a little excited over the Amethyst the night before I wrote this- painting an amethyst with Amethyst! The example below is done with Amethyst, Lunar Violet, Cactus Flower, and a few touches of Rhodonite, Mayan Blue, and Serpentine to get the rainbow flash happening in the amethyst crystal subject that I used. This was painted in a Handbook Travelogue Grand Portrait Watercolor Journal. It is the only painting example I did using the Luminescent line, and the Cactus Flower is very subtle.
To show this example, I have to admit to recently watching the classic, The Many Adventures of Winnie-the-Pooh cartoon from 1977, because that’s what inspired this. Pooh bear is a character that was created by A. A. Milne for his son, Christopher Robin. This sketch is all PrimaTek, with the exception of the little bit of yellow is the flowers, and done in a Seawhite Sketchbook.
These doodle examples were painted when I first got the Dot Card above, they show the granulating properties. They are painted in a pocket Moleskine Art Plus Watercolor Journal. The bottom hill looks velvety with the Jadeite. I also included these to show what it looks like to use all PrimaTek paints. Granulation overload can happen. After having some experience with them and doing large sized paintings, I feel that they work best when used in coordination with other non granulating watercolors, unless a certain look is being sought.
Here is a 16 page downloadable DS Watercolor Guide, it has mixes and demos for all of their lines. If you are interested in the Luminescent line, there is a seashell painting example.
Here is a 3:30 minute video of Amazonite mixes for landscapes and they are beautiful.
This is an ongoing series of watercolor and art supply reviews. I’m working on watercolor/art journal posts next. Your comments are appreciated.
*I’m amending my above statement- because of the interest in luminous paints that this post generated, I’m going to review some other brands first, and then move on to art journals.