I’d probably go with something like Daniel Smith Aussie Red Gold and Phthalo Blue. Or if I was going for lower key paintings, Paul Rubens Shaded Yellow and Chinese Ink Blue.
Over the years, I’ve tried to develop the palette that works best for me, and I kind of have one that is my go to. But I get bored so easily if I try to stay with just one. It’s like potato chips – I have about a bazillion different palettes now and keep adding new ones.
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