Hello dear Doodlewashers! I am honoured to be included among other amazing guest artists here at the vibrant Doodlewash community and I hope you will enjoy my artworks and perhaps learn something useful from me as well. My name is Michaela Istok and I am from Bratislava, Slovakia though I’ve managed to live already in Kuala Lumpur, Prague, Helsinki and Tampere.
How did my art journey began for me? Honestly, I don’t really remember; I’ve been drawing ever since I could hold a pencil in my chubby little fingers. My mum, having noticed my leaning towards artistic expression (including on walls, floors, important documents and receipts…) registered me at art classes led by academic painter Ms. Sona Herenyiova since I was about 7 years old and I kept on going there until I left my hometown Bratislava for university, aged 18.
Ten years later, I have my a BA (Hons) Graphic Design degree, about 7 years of experience in the design industry and a rather impressive stash of watercolour illustrations, doodles, sketches and filled up sketchbooks in various places in various countries (Slovakia and Finland, to be exact).
Paint Cheap, Have Fun
Though I see many artists, hobby painters and art course attendants striving to use the best paints, the best paper and the best brushes they can afford, I’ve always had a different approach here. See, I believe that if my skills and technique are underwhelming, even the best paper and the most expensive super premium brush will improve it only up to a point, if at all.
However, if my expression, use of line, colours and composition are good (in my eyes at least – though I always nitpick my work!), the artwork can look charming even drawn with a basic pencil on a random sketchbook paper found in a drawer.
This is just a long-winded way to say this: I didn’t care about the quality of my tools for quite some time when beginning.
Instead, I practiced often with mediocre tools because it was well, just practice where I explored myself as an artist. The results varied and once I started to get satisfied with the progress I was making in my art journey, I started using better tools and better papers as well. Now I am in a place where I am mostly using high quality paints, papers and brushes but I don’t make it a rigid rule. You will see two paintings made on the worst and tiniest sketchbook ever in this guest post. I went into it knowing it’s a bad paper but it was fun anyway.
As for my favourite tools, usually I use Koh-I-Noor pencils, Micron fineliners and St Petersburg White Nights or Van Gogh watercolours. Papers vary – I hadn’t yet found my preferred brand, but I do gravitate towards less textured, cold-pressed ones with at least 300g/m2 weight.
Illustrator in Progress
My favourite topics tend to be animals (including beloved pets), people, silly characters, mythological beings, landscapes, flowers and picturesque village houses. I value traditions (though I don’t adhere to them much – but knowing about them makes me content) and so traditional architecture and old crafts are a big inspiration for me as well.
For illustrations, I work both in vectors (digitally) and in ink and watercolour, though I have to say that so far I have had far more clients for my digital illustrated work than for the watercolour ones, probably due to more focus on marketing the digital work. We are currently discussing a range of dog behavior books for children with a dog behaviorist friend, so let’s see where this takes us – in a not so far off future I might be very busy with a lot of watercolour illustrations too!
I have always been a fast artist (as in, fast in painting) and I consider this an advantage when it comes to watercolours (and acrylics) – they just dry so fast, I must be fast too! I rarely paint wet on wet, so painting wet on dry is a speedy process for me.
The preparatory stage takes me longer than painting itself – usually I gather some research material (photos, illustrations of the subject, simplified pictograms, etc.) to get to know my theme well and draw a couple of rough sketches on some basic papers. Once I am happy that I seem to know what I am doing, I take an actual watercolour paper and either first sketch it lightly with a pencil or draw directly with the Micron fineliner.
When painting pet portraits I need to be fairly accurate, so first I sketch the pet very lightly on a paper with a B or a 2B pencil (it can’t be too soft or the sketch is too dark and difficult to remove or cover by the watercolour wash). Then I take my Micron fineliners, drawing the subject itself. A moment to dry, and I can start applying watercolours.
Firstly I apply lighter colours in bigger areas and after that I move onto more details in darker colours. This lets me control the values and hues of the painting well, not overdoing it – I strongly believe that an overdone watercolour painting is a mortal sin!
For other illustrations, I don’t always feel the need to sketch first by pencil, so I don’t always do that. In that case it’s a drawing with Micron fineliners first and then the watercolours on top of it. This is, of course, quite risky and scary as I can’t remove or alter the fineliners but I like taking this risk. Painting this way is similar to calligraphy – there are no steps back; once you dare to paint the wash, it is there to stay. Doesn’t that remind you of life with no Ctrl + Z?
Useful Tips For Other Artists
I am not, by any means, an authority on painting but I have learnt some tips and tricks over time, so maybe some of them will help you in your artist journey too!
● Don’t stress too much about your tools if you are just starting out – you can practice with anything, not spending too much money on your art at first. Instead, dedicate your heart, time and imagination to your art!
● Also, don’t fret if you hadn’t developed your style yet – it will come! And it might change over the time too as you will be evolving as an artist and as a person (in that case, don’t fret as well, this is a good thing to happen).
● Paint and draw everyday, even if for 5 minutes while drinking your morning espresso. Practice makes perfect (and creates you that elusive ‘style’ over time)!
● You will gravitate towards some themes – should you focus only on them? Should you enjoy working on them but also develop your skills in other areas? Food for thought!
● Don’t feel self-conscious about your art and if you honestly feel it sucks, take a pencil and focus on the most basic basics – still lifes, portraits, nude bodies. By getting better in these basics you will get better in everything else!
● Leaving a bit of an empty paper (not covered by any paints) in the painting will let it “breathe” and prevent the ‘overdone’ look.
● Most of all, have fun and create art. The world needs more artists like us!