Greetings, my name is Karen Elaine and I am an artist, author and teacher living in the mountains near Sedona, Arizona living with my husband and cat (follow me on Instagram, Facebook, Twitter, and visit my website!). I’m the author of Origami Card Craft and The Art of Kumomi as well as other books on paper crafting and origami.
I teach meditative art, paper crafting and mixed media workshops nationwide. I have a dream job where I get to develop creative products from concept to market for an art supply company and I have no plans to retire, ever. My job allows me to experiment with many types of artistic media but my first love is watercolor.
I started painting with my grandpa’s watercolors when I was a child and I am still fascinated with how the colors dance on paper when they mingle with water. Watercolor has always intrigued me and I just keep going back to it like an old friend.
I have always kept written and visual journals but drifted away from the practice. Lately I have been inspired by the urban sketching movement and Doodlewash to start what I am calling “nano sketches”.
Nano sketches are quick gesture drawings done with a pencil (no erasing) keeping the lines loose light and free. You can always erase later but I like to get the composition down on the paper very quickly.
The paper you choose can make such a difference and I love bound journals that come in all shapes and sizes as well as paper types. When I was a budding artist, I didn’t mind lugging around a giant bag of art supplies but these days I like to pack a little lighter. I found some cool unlined micro journals by Paperblanks and discovered they accept watercolor quite nicely. The journals are about the size of an artist trading card so they are easy to put in a purse for on the go journaling. I use the Whiskey Painters palette which is not much bigger than my tiny journal but it is costly. If you are on a budget, you can make your own palette out of an Altoid tin and empty half pans.
When it comes to watercolor I prefer to use transparent colors. My primary mixing colors are Quinacridone Rose, Hansa Yellow Medium and French Ultramarine Blue or Pthalo Blue and I can make just about any color I want without making mud. I might add more transparent colors, a couple of neutrals and earth tones to the palette but I always have my trusty primary colors with me.
To complete the Nano Sketching kit, I fill a little cosmetic bag with a Waterbrush, a fine tipped pen such as a Micron or Platinum carbon ink pen, a tiny sponge, a mechanical pencil, watercolor palette and journal. Cosmetic bags are really useful because they sometimes have little pockets for your brushes. All of these delicious art supplies now fit in the palm of my hand so I can create at any moment.
Nano sketches are quick and usually done in a public place. I prefer sitting at a restaurant, a bar, a waiting room or an outdoor event and I can also sketch what is right in front of me, like my foot, my cat or my husband. Because my kit is so small I can be discreet and it is easy to set up just about anywhere. A real useful trick is to photograph your subject first so you have an image to refer to when things change (and they always do) and if you want to complete the sketch at a later time. I love using my iPhone for that!
Making time for nano sketches every day is a quick and easy way to practice drawing and painting skills and to observe the world in an entirely different way.
I am so grateful for the opportunity be a guest on Doodlewash and I want to thank Charlie for this inspirational site. If you are inspired to try nano sketching, use the hashtag #nanosketching when posting on Instagram and share your images and tiny art supply kits. Let’s have some fun!