I had every intention of sketching full traditional peacock plumage, but when looking at references, I was totally intrigued by the face of this regal bird. Plus, I was dying to sketch something with a bit of detail, so this is today’s entry. I also wanted to try something that mimicked the bokeh of a photograph in my current experimental state. I can’t ever seem to draw the traditional version of this bird each time I go to do so, which is only twice now, as last year I did a drawing of a flying peacock. This means I’ve already shared most all of the peacock trivia I know in that previous post. One thing I do love about them is that their exquisite coloring is actually just a trick of the light. They are really rather unassuming brown birds, but their feathers change color based on how the light is reflected in them. I considered painting this one entirely in brown with a caption that read, “Is it just me, or am I badly lit?” but, in the end, I couldn’t resist adding the lovely reflected colors that make people swoon over this showy bird.

I do admire that the peacock seems so uninhibited and proud of itself. Strutting up and down, showing off its many feathers for all to see. Mostly, of course, for the lady birds that he’s trying to impress and mate with, of course, but anyone who happens by can’t help but be dazzled. I’ve never quite had this level of confidence, though I attempt to appear otherwise whenever possible. Throughout my career, I’ve often had to speak in front of crowds of people and spend most of my time pretending I’m someone else while doing so. I love to talk about creative projects, so that’s a plus, but my preference is to share the spotlight with others and not dwell too much on myself. That’s why I’ve always surrounded myself with talented people who inspire me and push me to try new things. That, and it’s a wonderful distraction when I happen to mess something up.

I’m constantly telling people to DO and forget about everything, but I often have trouble following my own advice. That’s why this month, I’m taking my own advice and just grabbing my brush and going for it, not worrying about the outcome. It’s been incredibly fun! I’m sharing this, to say that my DO advice is actually rather good after all. I never know what I’m actually capable of doing until I go ahead and throw caution to the wind and try it. There’s always something that I learn and will indeed do differently next time, but the thrill of trying is a total rush. So, I may not fully get over all of my fears or become a social butterfly in public settings, but I will slowly improve my art over time. Each little layer of paint every day is a new lesson that informs the next. I think that’s been the secret to my daily painting habit. I’m always excited to share what I made today with you, no matter the outcome, simply because I made it. My own little version of strutting like a peacock.

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About the Doodlewash

Sennelier L’Aquarelle: Quinacridone Gold, Red Orange, Sennelier Red, Dioxazine Purple, Phthalo. Green Light, Phthalocyanine Blue, Cobalt Turquoise, Ultramarine Deep, and Payne’s Grey. Lamy Safari Al Star pen with Platinum Carbon with black ink and second pen with sepia ink in a little red cloth hardbound l’aquarelle journal I found in a Paris shop.
 Day 8 - #WorldWatercolorGroup Strut Like A Peacock Head In Profile Watercolor - #doodlewash

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44 thoughts on “Strutting Like A Peacock

  1. This is a stunning painting, Charlie. I love, love, love peacock colours so I’m instantly attracted to this painting. You’ve captured the colours, sheen and plumage of the bird perfectly. I’m truly impressed.
    PS My Gran once told me that peacocks were just “pretentious chickens” which is a put down I’ve never forgotten.

  2. I think that you did a beautiful job of “do”! it is freeing to let go and not fret and allow the painting to just happen not worrying about the outcome. Your posts are so insightful and very honest, I had forgotten how much you are ‘front and center’ with your blog, very much appreciated.

  3. great painting, love the background so soft and gentle very nice touch Charlie. all the colors….. are so lovely! and what really needs comment on, and people to really have a good look at is:
    how you have painted the eye!
    its not just a flat color and tone. you’ve created a beautiful eye on the peacock with all these variations – so well done! 🙂 Cheers, Charlie!

  4. I love the detail on your peacock, the eye is outstanding, bravo ❤️. I think he is trying to eye me up for food, getting ready to peck me…I’m about to run, beauty he may be, but I know they can move, and have a sharp peck…..we had two running wild in the next village, escaped from someone’s garden, then could not be caught for years, noisy beasts too…it split the village, some loved having these birds wondering free, others wanted to shoot them, as they wrecked gardens, pooped on everything, sat on roofs and squawked away, wondered in the roads….insidently I was in the ‘love them’ camp. 😀

  5. Oh my, what a perfectly pompous peacock! The character is bursting out of this one, beautiful doodlewash. The “am I badly lit?” idea made me chuckle, too, but I’m certainly glad now that you went for full, resplendent colour!

  6. Absolutely gorgeous work Charlie 😍
    yeah I’m following your advice ‘Do’ for my 100 days series.. sometimes I get upset with the outcome of painting but I convince myself saying every piece of art won’t be a masterpiece so carry on today you learnt something new though 😀

  7. Love the peacock, and all of your drawings really, they are fascinating to me. And I am truly impressed with how big the “little red cloth hardbound l’aquarelle journal I found in a Paris shop” is!!!!!!!!!!! Everything goes in there ! You ought to be running out of pages by now 🙂

  8. I HAD to go look when you started “the little red sketch book” so I checked every doodlewash caption, kid you not. I hit a point where you were using the Pentalic Journal, and voila, found the doodlewash of when you bought it! I was going to count Doodlewashes from that point to see how many you crammed in there already but you saved me the time by saying there are 200 pages in the sketchbook so that explains it, lol! But also creates a bunch of fun reading for me as I have only been looking at the doodles so far – now I see where you went to France (the car keys doodle!) and cannot help but to wonder what the heck you were doing over there anyhow – looking forward to the story I am about to read and sorry for the digression from the peacock doodlewash

    1. Awww thanks for looking back through my sketchbook! 😃💕 Hehe I just keep on posting things and haven’t even looked back myself in awhile. Yeah, I thought it was huge, but as I mentioned in my last comment, I actually filled it and these scenes are in a new one I grabbed on a second unexpected trip to Paris. (I actually grabbed two so hopefully they’ll last until I return… love this sketchbook!) I’m there every year to visit family as that’s where my partner is from! 😉

  9. I never knew that about peacocks, Charlie, that they are really brown. But how would we know – or how did we find out? Even in photos I see them full of colour, as in your painting. Very strange. (The fact they’re brown… not your painting!!!) 😉
    Confidence is an issue with a lot of us; ‘just doing’ helps a lot with pushing through the barrier!

  10. To think, all this blinged out glitz and glamor so an invigorated boychik (had to find a way to write that without being crude or offensive – hope I succeeded) can grab the attention of a rather dowdy looking girlchik. This one is indeed gorgeous, and beautifully painted.

    The color on feathers as on butterfly wings is rather ephemeral and best appreciated in sunlight. Someone else has to explain that to the peacock here though with his pea-sized brain, he’s likely to disregard anything other than urgent yens. Well, enough science for one day.

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