QoR Watercolor is produced by Golden Artist Colors, Inc., an employee-owned company that produces a wide range of acrylics, oils, mediums, varnishes and … wait for it … watercolors. For this review, Golden sent me a large selection of QoR Watercolors including: a QoR Mini Palette, three different QoR Watercolor Grounds, Lift Aid, Masking Fluid and a tube of Permanent Scarlet and Quinacridone Gold Deep. Oh, I had fun this month!
Before I get into the Mini Palette specifically, let me talk a little about QoR watercolor in general. QoR is pronounced ‘core’ and yes, the brand is spelled with a capital ‘R’ at the end.
Introduction To QoR Watercolor
Amazing research went into making these watercolors. Aquazol, a product common in the conservation field, is used as the binder.
If you are like me, you nod at this point, and then say – “But what difference does that make?” I’ve been using them since they came out in 2014, and this is what I’ve noticed:
- When dried, the paints re-wet immediately with no need to pre-moisten
- The colors all dry to same consistency (at least among the 40-50 colors that I’ve tried)
- The colors are intense
- The dark-to-lighter color shift is less than I’ve found with most brands.
Did I mention the colors are intense? If you prefer lower key colors, they might be too intense for you.
They dry to a smooth consistency that makes them great in a palette. They re-wet instantly, flowing smoothly, as though fresh from the tube.
With 83 colors to choose from, my main complaint is that I can’t afford all 83 colors.
QoR Mini Palette
Until recently, QoR watercolor has only been available in 11 ml tubes or sets with 5 ml tubes. Earlier this year, the QoR Mini half-pan set was introduced.
The Mini comes with 12 half-pans:
- Cadmium Yellow Primrose – PY35
- Nickel Azo Yellow – PY150
- Transparent Pyrrole Orange – P071
- Pyrrole Red Medium – PR254
- Quinacridone Magenta – PR122
- Dioxazine Purple – PV23
- Ultramarine Blue – PB29
- Phthalo Blue (Green Shade) – PB15: 3
- Sap Green – PG36/PR101/PY150
- Paynes Gray – PB15:3/PBk7/PV19
- Transparent Brown Oxide – PR101
- Burnt Umber (Natural) – Pbr7
What did I first notice about the paints?
The pans were full, the paint curving up above the top of the pan. They seem to be dried hard and one paint had come out of its pan. I was a little worried that these paints were formulated differently from the tubes. That is true with some brands.
My worries were over as soon as I started using the paint. I decided to pre-moisten and gave the paints a good spritz with the water bottle. They splattered! From brand-new dry to one spritz of water and they were wet enough to splatter. With most brands, I have to spritz or drop water in and let them set for a second or two. After this, I’ve just swiped a wet brush over the top and that’s enough to start painting.
After I finished the above video, and the paints had dried again, I checked to see if any of the paints were still loose. They were not. I even closed the lid, shook the pan and checked to see if any fell out. They didn’t.
What did I note about the tin?
It fits in my hand (I have small hands).
The tin is just slightly deeper than the pans themselves. This means it is easy to reach the paints and you can pick up color with the side of the brush. You get a better load of paint and it’s easier on the brushes.
Those bumps on the lid, which are present in all the QoR sets, turn out to be mixing wells on the inside. What’s new is the silicone mixing area between the half-pans. Silicone is non-staining so this area cleans up very nicely.
My palette looks like this after about three weeks of heavy use – lots of highly-staining phthalo blue and quinacridone rose, but it all cleans up except for the incised ‘QoR’ and the alphabetical characters under each pan.
Speaking of the alphabet. A blank chart is included so you can swatch the colors. The alphabetical colors incised beneath each pan is also printed on the chart so you can match the colors later.
In the initial run, of the mini set, there were some tins that came with two burnt umbers instead of a burnt umber and a transparent brown oxide. Golden is noted for their customer service. They recognized the problem, and set up a contact page and phone number for people who received one of these sets. The problem only occurred in the first run.
Transparent Pyrrole Orange is one of my favorite colors so I chose to make that the focus of my example painting.
QoR Lift Aid
If you’ve ever tried to lift color from your painting once it’s dry, you probably know why Lift Aid is a good idea. You paint on the Lift Aid before you start painting, much as you with masking fluid. After the paint has dried, you run a wet brush over the area to lift some or all of the color. You repeat this until you reach the level of whiteness desired.
The paper matters. If the paper is sized for easy lifting, Lift Aid helps a bit, but mostly with staining colors like Phthalo Blue and Quinacridone Rose. With papers that don’t allow easy lift, Lift Aid can make a noticeable difference.
I tried several papers. I was never able to get all the way back to white but I’d say I got to 80% in some cases.
Lifting can damage the paper, and Lift Aid does help prevent that.
There is always a trade-off with these things. If you use Lift Aid over a large area, washes may be splotchy. Again, I found that the paper matters.
This is a paper that does allow easy lifting. I could get close to the same amount of white whether I used Lift Aid or not, but there was quite a bit more damage where I didn’t use Lift Aid.
If you are unsatisfied with the way color lifts on your paper, then Lift Aid may be the thing for you.
QoR Watercolor: Grounds
I used all three grounds to paint tin lids. Dollar Tree has these kid’s puzzles that come in a tin so I bought up a bunch. I also had some mini-Altoids and pencil tins. Have I mentioned that I’ve had fun this month?
Despite the name, watercolor ground, I’ve never found a ground that acts like real watercolor paper. Colors are more opaque, lighter, and lift more easily so that it is difficult to glaze. Blooms and drips are easy to achieve. But you CAN use watercolor and get cool effects on non-traditional surfaces, such as wood, metal and canvas. I’ve even used it to paint over areas in my watercolor paintings that were messed up. It looks different than the rest of painting but does improve the mess.
You can use spatulas, foam brushes, Popsicle sticks and similar tools to spread the ground over your chosen surface.
In all these ways, I found the QoR grounds to be standard. Each of the three creates a distinct surface and depending on the tools you use, you can get different effects.
Light Dimensional Ground
Ever frosted a cake? I had fun with Qor Watecolor Light Dimensional Ground, frosting my tin lid, whipping up curves and smoothing them out to create an entirely different look. I finally settled on something that made me think of ocean waves, my frothy look at the bottom allowing color from the tin to show through.
Color is dull, but you can glaze layers to deepen it and can get some amazing textural effects.
Once dry, the surface is slightly spongy. I deliberately poked at mine until I managed to scratch it. I do like trying to destroy things! The Light Dimensional ground isn’t a delicate surface, but I wouldn’t use it for something I carry around.
The QoR Watercolor Ground creates the smoothest surface. When wet, it’s slightly tacky, so when you lift your tool you leave a slightly raised area. With a tool large enough to cover the entire surface, you could get a completely flat surface. With smaller tools, you can get a fairly flat surface.
Compared to the other grounds, you get brighter colors and better detail. Not as much as you would get with actual watercolor paper, though. Waterproof pen works fine, though the lines won’t be crisp.
I had to practice until I figured out the water/paint ratio for the effects I wanted. Fortunately, I discovered it is easy enough to wash off the color while it is still wet and start over.
Cold Pressed Ground
As the name implies, the Qor Watercolor Cold Pressed Ground has a tooth similar to cold press paper. Color is brighter than the Light Dimensional but duller than the Watercolor ground. The water/paint ratio works about the same as the Watercolor ground.
It’s easy to get an even surface, but it has the gritty look and feel of cold-pressed paper.
Each of these grounds has its own appeal. I’m a watercolor tin palette addict and I love making my own. I’m glad I have all three grounds, giving me plenty of options for decorating tins. They make great little gifts too!
QoR Watercolor: Masking Fluid
Like many masking fluids, QoR Watercolor Masking Fluid does contain natural rubber latex, and could cause an allergic reaction. It has a strong ammonia smell and takes quite a while to dry. I wait anywhere from 4-12 hours, depending on the humidity.
Additionally, some papers don’t handle masking fluid well, and you should always test before using it for something serious. See what I did below. Testing doesn’t have to be boring!
The color of the fluid is an off-white. It’s different enough that I had no problem seeing it while I painted and it didn’t interfere with my colors like some of the tinted fluids do. The fluid spread easily, and I could create quite thin lines using the beveled edge of a brush.
I had no trouble removing it on any of the papers I tried, just using my fingers to do so (though I don’t recommend that – you get oils from your skin on the paper).
QoR Watercolor: Permanent Scarlet and Quinacridone Deep
When asked if I wanted any tubes of paint, I asked for Permanent Scarlet and Quinacridone Deep (even though I desperately wanted to say – all of them. I want all of them! You can find Jessica Seacrest’s review of tubes and watercolor sets here)
I’ll be truthful. I got involved playing with all my other goodies and as I was sitting down to write this, I realized I’d forgot about these two! I did a quick swatch and painting, and I think I chose well for what I wanted.
I was hoping for colors that I could use for steampunk-themed work, some flesh tones (a bit exaggerated for realistic work, but good for what I have in mind) and a good range of pinks to reds.
I got ’em all.
Golden Artist Colors, Inc. sent me all of the QoR products above for purposes of a review. I received no other considerations, though this post may contain affiliate links which help support Doodlewash. As always, all opinions expressed are my own.
I’m a self-taught artist who dances about with all sorts of artistic mediums. My main loves are Watercolor, Zentangle and Ballpoint pen. The subjects of my work are many and varied and change at whim. I’m a little bit crazy, but doesn’t that come with being an artist? At my Life Imitates Doodles Blog, I post a list of resource links for Tangles, Tutorials and Giveaways three times a week. I also write reviews, hold giveaways and share my art work.